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Asian Studies

AROUND INDIA WITH A MOVIE CAMERA

By Sandhyu Suri

Award-winning filmmaker Sandhya Suri (I for India) skillfully weaves together archival footage - including hand colored sequences - with a new score by composer Soumik Datta to create an emotionally resonant story about life across India from 1899 to 1947.

Drawn exclusively from the BFI National Archive, Around India features some of the earliest surviving film from India as well as gorgeous travelogues, intimate home movies and newsreels from British, French and Indian filmmakers. Taking in Maharajas and Viceroys, fakirs and farmhands and personalities such as Sabu and Gandhi, the film explores not only the people and places of over 70 years ago, but asks us to engage with broader themes of a shared history, shifting perspectives in the lead up to Indian independence and the ghosts of the past.

DVD (Color, Black and White, Closed Captioned) / 2018 / 72 minutes

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DEAD SOULS

By Wang Bing

In Gansu Province, northwest China, lie the remains of countless prisoners abandoned in the Gobi Desert sixty years ago. Designated as "ultra-rightists" in the Communist Party's Anti-Rightist campaign of 1957, they starved to death in the Jiabiangou and Mingshui reeducation camps. The film invites us to meet the survivors of the camps to find out firsthand who these persons were, the hardships they were forced to endure and what became their destiny.

DVD (Mandarin, Color, With English Subtitles) / 2018 / 495 minutes

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SPARK

Directed by Hu Jie

SPARK opens by the side of a road in Lanzhou City, northwestern China, as trucks rumble through a blasted hillside. An elderly man walks along the dusty road and pauses to point to a nearby spot - the former execution grounds. "They executed many," the man says. "Then fewer and fewer."

Two of those executed were contributors to Spark, a short-lived magazine from Gansu Province whose young, intellectual contributors bravely shone a light on the horrific realities of life during the Great Leap Forward. More than 35 million people died of famine between 1959 and 1961, in large part because of Communist Party policies. To this day, the Party has never fully acknowledged the scope of the disaster.

In SPARK, filmmaker Hu Jie - who has been described as "China's most important unofficial historian-filmmaker" - tracks down the surviving men and women of Spark, including founder Gu Yan, allowing them to tell their stories.

Weaving together their interviews, the film is in an oral history of the magazine and the tumultuous period that from which it arose. The interviews are striking in their clarity and their emotional immediacy 60 years later. The son of Du Yinghua, a local Communist Party county committee secretary executed for his sympathy for the Spark writers, breaks down in tears after laying out copies of his father's books. Tan Chanxue seems completely at ease - even smiling - as she recalls being herded, bound, through throngs of schoolchildren brought to witness and cheer the Spark members' public outdoor trial. Remarkably, Hu even gets the Tianshui City leader at the time, Tao Yanlie, to admit that authorities prevented people from leaving town, while 100,000 residents died of hunger. Their deaths, he says, were "recorded but useless. We had to report it, but so what?" At one point, Hu suspects he is being followed. During an interview, the phone rings. The interview subject replies, then refuses to continue the conversation.

The writers who contributed to Spark were not all driven by the same motives. Xiang Chengian, who describes thousands of bodies lining the railway tracks between station and city, thought Party officials must be unaware of the extent of the disaster and would intervene if they knew. In contrast, Zhang Chunyuan wondered how the Communist Party could have become so corrupt in so few years, and said it was clearly fascistic. And Lin Zhao, one of several women contributors, couched her critiques more obliquely, in the form of poetry. All were branded as rightists and faced persecution during the Anti-Rightist Movement of the late 1950s, and both Lin and Zhang were sentenced to hefty prison terms, subsequently changed to death sentences.

A brave and powerful document, SPARK is a testament to the threat to power that comes from people willing to speak out about what they see - and an invaluable contribution to understanding the period of the Great Leap Forward.

SPARK makes an excellent companion to Wang Bing's monumental DEAD SOULS, about victims and survivors of the Anti-Rightist Movement, and Hu Jie's SEARCHING FOR LIN ZHAO'S SOUL - which details the persecution of Lin, a Christian, and is a testament to her legacy of courage and conviction.

DVD (Mandarin with English Subtitles, Color) / 2018 / 114 minutes

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MARLINA THE MURDERER IN FOUR ACTS

By Mouly Surya

In the deserted hills of an Indonesian island, Marlina, a young widow, is robbed and raped for her cattle. To defend herself, she kills several men of the gang, including decapitating the gang leader. Seeking justice, she goes on a journey for empowerment and redemption. But the road is long, especially when the ghost of her headless victim begins to haunt her.

DVD (Color, With English Subtitles) / 2017 / 93 minutes

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OBSERVER, THE

Directed by Rita Andreetti
By Rita Andreetti, Matteo Bosi

In August 2014, the 11th Beijing Independant Film Festival was shut down after repeated threats from local authorities. The government wouldn't tolerate the screening of some 'sensitive' works, particularly a historical documentary called "Spark". The news shook filmmakers and public opinion alike and filmmaker Rita Andreetti couldn't help but begin on a search for the man whose work had pushed the government to the edge of tolerance.

The Observer is the portrait of the extraordinary and undetected work of Chinese dissedent artist, Hu Jie. Despite making huge contributions to historical research by uncovering essential testimonies from China's past, his body of work hasn't been recognized the way it deserves.

Carefully ducking away from the spotlight, he has managed to make more than 30 documentaries throughout his career. The content of his work is vital to understanding Chinese society and the preservation of the memory of its past; he is the first artist to dare talk about the Great Famine, the labor camps (Lao Gai) and the Cultural Revolution in an uncompromised way. For that, he is commonly considered the first historical documentary maker of China, despite his blacklisted status.

Rita Andreetti, director and young Italian film critic, allows viewers to discover Hu Jie's humanity and social commitment as she searches herself for Chinese identity. Inspired by the tenacity and the inner strength of Hu Jie himself, the documentary shows how his prolific activity has recently turned into a more intimate pictorial production. Although under increasing pressure, Hu Jie continues today, with different means, to tirelessly fight for the truth.

DVD (Mandarin with English Subtitles, Color) / 2017 / 78 minutes

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TOKYO IDOLS

By Kyoko Miyake

"IDOLS" has fast become a phenomenon in Japan as girl bands and pop music permeate Japanese life. TOKYO IDOLS - an eye-opening film gets at the heart of a cultural phenomenon driven by an obsession with young female sexuality and internet popularity.

This ever growing phenom is told through Rio, a bona fide "Tokyo Idol" who takes us on her journey toward fame. Now meet her "brothers": a group of adult middle aged male super fans (ages 35 - 50) who devote their lives to following her-in the virtual world and in real life. Once considered to be on the fringes of society, the "brothers" who gave up salaried jobs to pursue an interest in female idol culture have since blown up and have now become mainstream via the internet, illuminating the growing disconnect between men and women in hypermodern societies.

With her provocative look into the Japanese pop music industry and its focus on traditional beauty ideals, filmmaker Kyoko Miyake confronts the nature of gender power dynamics at work. As the female idols become younger and younger, Miyake offers a critique on the veil of internet fame and the new terms of engagement that are now playing out IRL around the globe.

DVD (English, Japanese, Color) / 2017 / 88 minutes

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WE THE WORKERS

By Wen Hai, Zeng Jinyan

Shot over a six-year period (2009-2015) in the industrial heartland of south China, a major hub in the global supply chain, WE THE WORKERS follows labor activists as they find common ground with workers, helping them negotiate with local officials and factory owners over wages and working conditions. Threats, attacks, detention and boredom become part of their daily lives as they struggle to strengthen worker solidarity in the face of threats and pressures from the police and their employers. In the process, we see in their words and actions the emergence of a nascent working class consciousness and labor movement in China.

DVD (English, Mandarin, Color, With English Subtitles) / 2017 / 174 minutes

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WIDOWED WITCH, THE

By Cai Chengjie

Winner of the top prize at the Rotterdam Film Festival, director Cai Chengjie's debut feature is, like its titular protagonist, defiantly low-fi, unexpectedly powerful and fiercely unpredictable.

Deemed cursed by the local villagers, three-time widow Er Hao (played by Tian Tian) has her hands full with a rogue fireworks explosion, a tagalong teenager, and a veritable army of crazed local men who can't keep their hands off her. Turned away when she seeks shelter from her neighbors and forced to take up residence in a cold camper van, Er Hao's future looks as bleak as the stark, snowy countryside.

But a series of fluke changes in fortune causes Er Hao to embrace the mystical identity her villagers have assigned to her. As a sort of modern shaman, she steers superstitions into small subversions, helping others who once shunned her and proving that to survive as a woman is a kind of magic.

THE WIDOWED WITCH fearlessly addresses the power of religion in China which, according to the dictates of Communism, is effectively banned. It also conveys the cruelty that can come with village life, and counters the Western narrative of China as a superpower by showing a place where the rule of law is all but nonexistent. Not only is there no recourse or safety net, even the rape that Er Hao suffers goes unpunished. Abused and shunned, Er Hao gains power over the men who have wronged her - but can she find a place in a misogynist, patriarchal and deeply lonely social structure? With a stunning array of visual styles and a genre-exploding approach to storytelling, THE WIDOWED WITCH is a simultaneously idealistic and despairing film - a bleak view wrapped in a fabulist aesthetic, and one that encompasses both magic realism and crushing social satire.

DVD (Mandarin with English Subtitles, Color, Black and White) / 2017 / 118 minutes

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APOLOGY, THE

By Tiffany Hsiung

THE APOLOGY follows the personal journeys of three former "comfort women" who were among the 200,000 girls and young women kidnapped and forced into military sexual slavery by the Imperial Japanese Army during World War II.

Some 70 years after their imprisonment in so-called "comfort stations," the three "grandmothers"- Grandma Gil in South Korea, Grandma Cao in China, and Grandma Adela in the Philippines - face their twilight years in fading health. After decades of living in silence and shame about their past, they know that time is running out to give a first-hand account of the truth and ensure that this horrific chapter of history is not forgotten.

Whether they are seeking a formal apology from the Japanese government or summoning the courage to finally share their secret with loved ones, their resolve moves them forward as they seize this last chance to set future generations on a course for reconciliation, healing, and justice.

DVD (Color, Closed Captioned) / 2016 / 104 minutes

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BITTER MONEY

By Wang Bing

BITTER MONEY documents China's rapid economic and social transformation by following the rural workers who leave their Yunnan hometown to move to the city of Huzhou, one of the busiest cities of eastern China (with the highest number of part-time workers), to labor in its textile factories. But what they find are few opportunities and poor living conditions that push people, even couples, into violent and oppressive relations. The camera follows Xiao Min, Ling Ling, and Lao Yeh closely, capturing the emotions of their daily hard work and disappointments upon receiving their wages. The film deals directly with the effects of 21st-century capitalism, as filmmaker Wang Bing acts as witness to the lives of people forced to adapt to a new economic landscape.

DVD (Mandarin, Color, With English Subtitles) / 2016 / 152 minutes

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COMPLICIT

Directed by Heather White, Lynn Zhang

Benzene-poisoned, Foxconn factory worker takes his fight against the global smartphone industry from his hospital bed in China to the international stage.

Yi YeTing is struggling with occupational leukemia and trying to obtain compensation from his employer. Wanting to help others, he begins working for a non-profit that assists workers with occupational illness and injuries.

He discovers there are dozens of workers in his local area who were poisoned while making smartphones. Through research in the community, he discovers a leukemia cluster in the neighborhood surrounding Apple's main supplier Foxconn. Yi's research leads him to several workers and their families trying to survive while burdened with their health care costs. Powerful forces are unleashed as he confronts local factories, putting his own safety at risk.

DVD / 2016 / (Grades 10-12, College, Adults) / 89 minutes

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DEMOCRACY ROAD

By Turid Rogne

After more than 20 years in exile in Norway, the Burmese journalists of DVB are returning to their homeland to establish their independent news station there. Editor-in-chief Aye Chan Naing and reporter Than Win Htut have dreamt about this for years, but their struggle for freedom and democracy is not over yet.

DEMOCRACY ROAD is a road movie documentary following the journalists of DVB in Myanmar in a critical phase of the establishment of the newborn democracy. With their existence as an independent news channel and Myanmar's future as a democracy at stake, senior reporter Than Win Htut and his colleagues hit the road with their groundbreaking show "Our Nation, Our Land." Their goal is to investigate the living conditions of ordinary people off the beaten path in Myanmar, but the machinery of the old dictatorship is still running. Simultaneously, editor-in-chief, Aye Chan Naing, has to negotiate with DVB's former enemies in the infamous Ministry of Information. The road towards democracy has only just begun...

Director Turid Rogne has followed the journalists of DVB for more than 10 years. With both boldness and sensitivity, she tells the story of life in a former dictatorship through the people who try to influence history.

DVD (Color) / 2016 / 60 minutes

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INSIDE THE CHINESE CLOSET

By Sophia Luvara

In a nondescript lounge somewhere in Shanghai, men and women giggle, eyeing prospective partners, visibly nervous about making the first move. This isn't your average matchmaking event - it's a "fake-marriage fair," where gay men and women meet to make matrimonial deals with members of the opposite sex in order to satisfy social and familial expectations of heterosexual unions. Inside the Chinese Closet is the intricate tale of Andy and Cherry looking for love and happiness in vibrant Shanghai. They are both homosexual but their families demand a (heterosexual) marriage and a baby from them. Because being single and childless would mean an unacceptable loss of face for their rural families, particularly in the remote countryside where they live. Will Andy and Cherry deny their happiness and sexual orientation to satisfy their parents' wishes? The stories of Andy and Cherry mirror the legal and cultural progress that is happening in China against the backdrop of a nation coming to terms with new moral values.

DVD (Color) / 2016 / 70 minutes

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MRS. B., A NORTH KOREAN WOMAN

By Jero Yun

"There are five kinds of families that buy us," says Mrs. B over dinner and drinks with fellow North Korean exiles living in China. "The first type, either the father or the mother is missing and the son can't get married. Then there are the very poor families, like my husband's. In the third type, the man is handicapped... mentally handicapped too. They're all poor. We're sold to families like that."

Mrs. B (we don't learn her real name) is something of an expert when it comes to the trafficking of North Koreans. In 2003, at age 37, she left her husband and two sons behind in North Korea, crossed the icy Tumen River into China, and was sold into marriage. When we meet her a decade later, she's running a robust trafficking business from her home on a small farm in northern China. While her husband fixes equipment and brings in the harvest, she's on her cellphone negotiating with people smugglers, bringing in karaoke girls, and advising newly smuggled clients on how to avoid detection and deportation.

MRS. B, A NORTH KOREAN WOMAN is a closely observed verite portrait of a world-weary woman who finds herself between countries, between worlds, and between families. Unable to bring her North Korean family to China, Mrs. B eventually arranges to get them into South Korea (where her husband was originally held under suspicion of espionage). Now, she plans to return to Seoul herself, seek refugee status, see her Korean husband and sons again, and then send for her Chinese husband and his octogenarian parents.

Director Jero Yun runs considerable risks, jammed into the back of a car with Mrs B as she welcomes a newly smuggled young mother into the country, and joining her and a group of women as they travel all the way across China to Thailand - by bus and car, and on a long night-time trek through fields with a crying baby - seeking a better life.

By focusing so tightly on one person, Yun offers a powerful look at the mundane realities of life for both trafficker and trafficked, overturning cliched notions about a necessarily mysterious trade.

DVD (Color) / 2016 / 71 minutes

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PATHS OF THE SOUL

By Zhang Yang

An astonishing journey of redemption, faith, and devotion. Internationally acclaimed filmmaker Zhang Yang (Shower, Getting Home) blurs the border between documentary and fiction to follow a group of Tibetan villagers who leave their families and homes in the small village of Nyima to make a Buddhist "bowing pilgrimage"-laying their bodies flat on the ground after every few steps-along the 1,200 mile road to Lhasa, the holy capital of Tibet. Though united in their remarkable devotion, each of the travelers embarks on this near impossible journey for very personal reasons. One traveler needs to expunge bad family karma, a butcher wants to cleanse animal bloodstains from his soul, another nearing his life's end, hopes that the prostrations will break the chain of cause and effect determined by his life's actions.

Stunningly photographed over the course of an entire year, with non-professional actors and no script, PATHS OF THE SOUL is a mesmerizing study of faith that will inspire viewers to reflect on their own journey through life.

DVD (Region 1, Color) / 2016 / 117 minutes

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TA'ANG

By Wang Bing

Director Wang Bing brings his careful eye to the mountainous border-region of northeastern Myanmar in Ta'ang, a powerful and revealing observational documentary that follows members of the Ta'ang minority as they flee to China to escape an ongoing and escalating civil war. In a pair of refugee camps, those displaced by the war attempt to create reasonably safe living conditions, while others go deeper into China where they may find work in sugarcane fields or try their luck in urban areas. Meanwhile, those still in Myanmar must journey across the mountains, belongings and livestock in tow, as the sounds of gunfire and artillery echo around them.

Ta'ang captures the constant insecurity, instability and disorientation that come with life as a refugee, the complexities of the choices the Ta'ang face, and the emotional toll they take.

DVD (Color, With English Subtitles) / 2016 / 147 minutes

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FORGETTING VIETNAM

By Trinh T. Minh-ha, Jean-Paul Bourdier

One of the myths surrounding the creation of Vietnam involves a fight between two dragons whose intertwined bodies fell into the South China Sea and formed Vietnam's curving S-shaped coastline. Influential feminist theorist and filmmaker Trinh T. Minh-ha's lyrical film essay commemorating the 40th anniversary of the end of the war draws inspiration from ancient legend and from water as a force evoked in every aspect of Vietnamese culture. Minh-ha's classic Surname Viet Given Name Nam (1989) used no original footage shot in the country; in Forgetting Vietnam images of contemporary life unfold as a dialogue between land and water-the elements that form the term "country." Fragments of text and song evoke the echoes and traces of a trauma of international proportions. The encounter between the ancient as related to the solid earth, and the new as related to the liquid changes in a time of rapid globalization, creates a third space of historical and cultural re-memory-what local inhabitants, immigrants and veterans remember of yesterday's stories to comment on today's events.

DVD / 2015 / 90 minutes

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NUCLEAR NATION II

Director: Atsushi Funahashi

Nuclear Nation II follows a new group of people exiled from Futaba, the region occupied by the crippled Fukushima Daiichi nuclear power plant. Since the 1960s, Futaba had been promised prosperity with tax breaks and major subsidies to make up for the presence of the plant... until the townspeople lost their homeland on March 11, 2011.

The film portrays their lives as refugees in an abandoned high school, and in temporary housing. The political fallout from the nuclear disaster results in conflict between residents, and the mayor is forced to resign. Many decide to move back to Fukushima prefecture, just outside the evacuation zone. The town finds itself divided by the arbitrariness of evacuation, radiation levels, and compensation guidelines from the plant's operator. And then, the Japanese government announces a plan to turn Futaba into an official, literal wasteland.

Is it possible to truly compensate the townspeople for what they have lost? Through their agonies and frustrations, the film questions the real cost of nuclear energy and unbridled capitalism. But perhaps more important, this film gives a fully textured, all-access account of governmental bureaucracy's attempt and ultimate incapacity to adequately deal with displaced peoples. This is a problem we continue to face: Hurricane Katrina uprooted over a million people in the Gulf Coast region, more than a million migrants and refugees entered Europe in 2015, and over 11 million unauthorized immigrants seek home in the United States. There are over 60 million refugees worldwide.

Teachers and students looking to understand the depth of challenges facing the fair and efficient administration of human rights in times of crisis will be pleased to find Nuclear Nation II.

DVD (Japanese with English subtitles) / 2015 / 114 minutes

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OKINAWA: THE AFTERBURN

Director: John Junkerman

Okinawa: The Afterburn is the first documentary to provide a comprehensive look at the battle and the ensuing 70-year occupation of Okinawa by the United States military.

On April 1, 1945, American troops landed on Okinawa, beginning a battle that lasted 12 weeks and claimed the lives of some 240,000 people. The film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefields, along with Okinawa civilians who were swept up in the fighting, with carefully selected footage from the U.S. National Archives.

The film also conveys the complex postwar fate of Okinawa, an island that has had to live side-by-side with an extensive array of US bases, and the related crimes, accidents, and pollution they have caused, while coexisting, on a personal level, with the occupying soldiers.

In Okinawa, the legacy of the war translates into a deeply rooted aversion to military force. This has been expressed in recent years by the island-wide rejection of the plan to build a new US base at Henoko, a source of controversy to this day. Okinawa: The Afterburn explores the roots of this resistance and Okinawa's vision for the future.

THE FILM IS DIVIDED INTO FOUR PARTS:

PART 1: The Battle of Okinawa depicts the ferocious battle through the testimony of Japanese and American soldiers who faced off in the conflict.

PART 2: Occupation reveals how military occupation policies were implemented.

PART 3: The Afterburn confronts the history of sexual violence that has accompanied the American military presence on Okinawa.

PART 4: To the Future explores the Japanese government's decision to build a new base in Henoko.

DVD (English and Japanese with English subtitles) / 2015 / 121 minutes

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PEOPLE ARE THE SKY

By Dai Sil Kim-Gibson

Director Dai Sil Kim-Gibson (MOTHERLAND CUBA KOREA USA) is the first Korean American filmmaker to be given official permission by the North Korean government to film inside its borders. In PEOPLE ARE THE SKY, Kim-Gibson's eighth and most personal film, the filmmaker makes a pilgrimage to her place of birth in North Korea for the first time in nearly 70 years, to explore if it is still home.

Kim-Gibson seamlessly weaves her own personal story as a native born North Korean, with the fractious history of the North/South division and pinpoints the roots of North Korean's hatred of the United States, giving Americans a much better understanding of the conflict. A mix of interviews epic images and graceful musings, PEOPLE ARE THE SKY offers some of the best political and social history of the relations between North and South Korea, and also a contemplative exploration of the meaning of home. The result is unprecedented, at times startling, for hers is an up close look of the hurts and desires, beauty and contradiction, pride and aspirations of the long held demonized nation.

DVD (Color) / 2015 / 94 minutes

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THARLO

By Pema Tseden

"Renowned Tibetan filmmaker Pema Tseden returns with his profoundly moving new feature (adapted from his own novella) about a Tibetan shepherd named Tharlo. Visiting a Tibetan town in Qinghai province to obtain a proper ID card from the local police station, Tharlo surprises Police Chief Dorje by reciting from memory a lengthy excerpt from one of Chairman Mao's essays. But things develop in a romantic rather than a political direction. To prepare for his ID photo, Tharlo needs his hair washed, and so meets Yangtso, a beautiful local hairdresser. Their courtship is both exquisitely awkward and enthrallingly suspenseful. Tharlo is smitten, but town-dweller Yangtso's ideas of fun are not quite Tharlo's, and he spends an uncomfortable evening with her at a local karaoke joint.

"This is a passionate love story with darker undercurrents, where basic pastoral imperatives such as protecting his sheep from hungry wolves run against Tharlo's discovery of the contemporary pleasures of smoking, drinking, singing and sex.

DVD (Black and White, Tibetan with English Subtitles) / 2015 / 123 minutes

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SURVIVING THE TSUNAMI - MY ATOMIC AUNT

By Kyoko Miyake

Film director Kyoko Miyake remembered Namie, a fishing village ravaged by the 2011 Fukushima nuclear catastrophe, as her childhood paradise. Revisiting her family's hometown after 10 years abroad, Miayke's multilayered documentary examines the disaster's profound personal, social and environmental impact.

While Namie's younger generations have permanently relocated elsewhere, Miyake's Aunt Kuniko, like other older residents, has clung to dreams of eventually returning to her home. Over the course of a year, Miyake follows this warm, indomitable businesswoman as she recalls happy family memories and strives to adapt to life outside the contamination zone. In the process, Kuniko starts questioning her unconditional trust in Fukushima's plant operators and pro-nuclear past in a community that once hoped to house a nuclear power station.

A timely reminder of Fukushima's continuing meltdown, this insightful, often funny film offers fresh perspectives on Japanese national identity and today's most pressing global concerns around nuclear energy.

DVD (English, Japanese, With English subtitles) / 2013 / 52 minutes

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FUTURE FOOD: FAT OR SKINNY? (INDIA)

Directed by Arjun Pandey

The people of India are faced with a choice: indulge in a Western-style fast food diet, or embrace healthy and indigenous alternatives.

Everyday, as India awakes, 1.2 billion people need to be fed. By 2050 it could be 1.7 billion. Half a billion small scale farmers supply most of India's food. Traditionally, Indians have eaten the healthy cuisine of India's 29 states, but as people move to the cities there's a growing demand for fast processed food, the so-called 'junk food' accused of causing obesity and chronic health problems.

Now India is a country on the edge of two possible futures: a future that's well fed and healthy; or a future with Western diets and Western obesity. With so many hungry people to feed, is it possible to eat in ways that are nutritionally and environmentally sustainable? What role do governments have to play in creating economic incentives for sustainable diets?

DVD / 2012 / (Grades 7-12, College, Adult) / 29 minutes

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FUTURE FOOD: STAY OR GO? (CHINA)

Directed by Alex Gabbay

Who will grow China's food as young people leave the countryside for the cities?

In many remote areas of China young people have little choice but to stay on the land, and yet they may face a destitute future, with millions of farmworkers in China earning less than two dollars a day. Although there are some exceptions, farming is not generally seen as a "sexy" career choice.

The reality is that in China and around the world, young people are fleeing the countryside and moving to the big cities. Who will grow the food that feeds future generations? How can young people be convinced that farming is a good option? Californian-born Rand and his wife Sherry are the founders of Resonance China, a social media agency in Shanghai. They use the internet to create and identify trends and tricks that can create a buzz for global brands. FUTURE FOOD sets Resonance a task: can they make farming popular with young people?

DVD / 2012 / (Grades 7-12, College, Adult) / 29 minutes

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11 FLOWERS

Director: Wang Xiaoshuai

One of China's foremost Sixth Generation directors, Wang Xiaoshuai (Beijing Bicycle, Shanghai Dreams) tells a striking, autobiographical coming-of-age tale set in the final days of China's Cultural Revolution in his new film 11 Flowers.

Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. Life is tough, but they make the most of what little they have. When Wang is selected to lead his school through their daily gymnastic regimen, his teacher recommends that he wear a clean, new shirt in honor of this important position a request that forces his family to make a great sacrifice. But one afternoon, soon after Wang is given the precious shirt, he encounters a desperate, wounded man, who takes it from him. The man is on the run, wanted by the authorities for murder. In no time the fates of Wang and the fugitive are intertwined.

Beautifully performed by a troupe of child actors, and vividly creating a sense of time and place, 11 Flowers is a delicate and moving film about growing up in a time of great upheaval.

DVD (Mandarin, Shanghainese with English Subtitles) / 2011 / 115 minutes

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MADE IN INDIA: A FILM ABOUT SURROGACY

By Rebecca Haimowitz & Vaishali Sinha

In San Antonio, Lisa and Brian Switzer risk their savings with a Medical Tourism company promising them an affordable solution after seven years of infertility. Halfway around the world in Mumbai, 27-year-old Aasia Khan, mother of three, contracts with a fertility clinic to be implanted with the Texas couple's embryos. MADE IN INDIA, about real people involved in international surrogacy, follows the Switzers and Aasia through every stage of the process.

With its dual focus, this emotionally charged, thoroughly absorbing film charts obstacles faced by the Switzers and presents intimate insights into Aasia's circumstances and motivation. As their stories become increasingly intertwined, the bigger picture behind offshore outsourcing of pregnancies - a booming, unregulated reproductive industry valued at $450 million in India alone - begins to emerge. So do revealing questions about international surrogacy's legal and ethical implications, global corporate practices, human and reproductive rights, and commodification of the body.

DVD (English, Hindi, Color) / 2010 / 97 minutes

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