Chinese Performing Arts

Chinese Performing Arts

HERITAGE OF CHINESE CULTURE AND DANCE, THE - CHINESE CLASSICAL DANCE: DUNHUANG & LONG SLEEVE

With beautiful sights and sounds, this series provides a rare glimpse into Chinese culture through the introduction of seven representative dance forms. It traces the historical and geographical roots of the dance traditions in China and looks into what inspires people to create dance, how contemporary artists breathe new life into the dance traditions, as well as the distinguishing features and techniques of each dance form. Featuring internationally recognized Chinese dance master, choreographer and director Yang Liping and internationally acclaimed dance choreographer Zheng Jigang.

Dunhuang Dance is a form of Chinese dance that draws sources from body movements depicted in artifacts found in Dunhuang Mogao Caves. Located in Gansu Province of China, along the Silk Route, at the crossroads of trade as well as religious, cultural and intellectual influences, the seven hundred and thirty five caves are famous for their statues and fresco paintings, spanning 1,000 year of Buddhist art.

Thousand Hand Guan Yin, a representative of Dunhuang Dance featured in this program is a contemporary creation conceived by the renowned Chinese choreographer, ZHANG Jigang, and produced by the China Disabled Performing Art Troupe. In this dance, a group of hearing-impaired dancers effectively utilize their body language to communicate the magic of "thousand hands" and hints at the deep meaning of Buddhism, its luminescence and boundless love. Long Sleeve Dance provides an overview of the historical development of Long Sleeve Dance, a dance form dating back to the 7th century B.C.E, a time that is known as the Spring-and-Autumn period in Chinese history. It introduces a handful of codified language of Long Sleeve Dance.

Highlighted are the long Sleeve dance performances titled The Colors of Water choreographed by WANG Yukn and MIAO Xiaolong and Zhao Jun Departs the Frontier choreographed by JIANG Huaxuan. In Zhao Jun Departs the Frontier, LIU Min, a nationally acclaimed dance master, employes exquisite language of Long Sleeve to convey the conflicted emotions of ZHAO Jun (one of "The Four Beauties" known in Chinese History) as she Leaves her homeland and lavish lifestyle for the grasslands of the remote north as part of peace treaty. The dance tells an ancient story of loyalty, heroism and self-sacrifice for the common good.

DVD / 2016 / 21 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE - CHINESE ETHNIC DANCE: DAI, AINI, TIBET, INNER MONGOLIA, HAN

With beautiful sights and sounds, this series provides a rare glimpse into Chinese culture through the introduction of seven representative dance forms. It traces the historical and geographical roots of the dance traditions in China and looks into what inspires people to create dance, how contemporary artists breathe new life into the dance traditions, as well as the distinguishing features and techniques of each dance form. Featuring internationally recognized Chinese dance master, choreographer and director Yang Liping and internationally acclaimed dance choreographer Zheng Jigang.

Ethnic Dance-Dai: Located in the southwest region of China, Dai people enjoy mild weather and beautiful landscapes of mountains and lakes. While the water splashing and dragon boating events held in their annual spring festival showcase the close ties between their culture and the land, the water running in the rivers and lakes has often been the inspiration for their dance creations.

Ethnic Dance-Aini: Neighboring with the Dai group, Aini group lives primarily in and around mountains and canyons at an altitude of twenty-five to eighty hundred feet. They are famous for their production of Pu Er Tea. Dancing and singing are second nature to the Aini people. In this program, while listening to the folk song titled Magical Village by famous Aini singer MI Xian, the audience will enjoy Ainis cultural traditions of tea brewing and folk dancing by girls clapping to the rhythm and wearing spectacular ceremonial costumes.

Ethnic Dance-Tibetan: Living on the Plateau, at an average elevation of over 12 thousand feet above sea level, the Tibetan people are known to be compassionate, bold, candid and devout. Most Tibetans practice Tibetan Buddhism. Just as the distinctive geographical and weather conditions in the region have influenced their dance movements, Tibetan's sacred religious beliefs and political climate have also had an impact.

Ethnic Dance-Inner Mongolian: In this program, the ethereal voice of Buren Bayaer (a legendary Inner Mongolian Singer), along with the images of yurts and running horses, brings the audience to an otherworldly setting of Inner Mongolia. Inner Mongolians, in general, are known to excel at horse riding. The span of the great plain has cultivated the openness and strength in this ethnic group and nurtured their vigorous, bold and energetic dances.

Ethnic Dance-Han: Han is the largest ethnic group in China, whose people inhabit the middle and eastern regions of the country. Hans folk dance tradition started on the streets in the 5th century as ritual events. Nowadays, this tradition named Yangko flourishes everywhere, on the streets, in classrooms and on stages. This program showcases a myriad of Yangko forms, both on and off stage, including Northeastern Yanko, Shandong Yanko and Shanbei Yanko, each has its distinctive features.

DVD / 2016 / 47 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: CLASSICAL DANCE - DUNHUANG

Dunhuang Dance is a form of Chinese dance that draws sources from body movements depicted in artifacts found in Dunhuang Mogao Caves. Located in Gansu Province of China, along the Silk Route, at the crossroads of trade as well as religious, cultural and intellectual influences, the seven hundred and thirty five caves are famous for their statues and fresco paintings, spanning 1,000 year of Buddhist art. Thousand Hand Guan Yin, a representative of Dunhuang Dance featured in this program is a contemporary creation conceived by the renowned Chinese choreographer, ZHANG Jigang, and produced by the China Disabled Performing Art Troupe. In this dance, a group of hearing-impaired dancers effectively utilize their body language to communicate the magic of "thousand hands" and hints at the deep meaning of Buddhism, its luminescence and boundless love.

DVD / 2016 / 12 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: CLASSICAL DANCE - LONG SLEEVE

This program provides an overview of the historical development of Long Sleeve Dance, a dance form dating back to the 7th century B.C.E, a time that is known as the Spring-and-Autumn period in Chinese history. It introduces a handful of codified language of Long Sleeve Dance. Highlighted are the long Sleeve dance performances titled The Colors of Water choreographed by WANG Yukun and MIAO Xiaolong and Zhao Jun Departs the Frontier choreographed by JIANG Huaxuan. In Zhao Jun Departs the Frontier, LIU Min, a nationally acclaimed dance master, employes exquisite language of Long Sleeve to convey the conflicted emotions of ZHAO Jun (one of "The Four Beauties" known in Chinese History) as she Leaves her homeland and lavish lifestyle for the grasslands of the remote north as part of peace treaty. The dance tells an ancient story of loyalty, heroism and self-sacrifice for the common good.

DVD / 2016 / 9 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: ETHNIC DANCE - AINI

Neighboring with the Dai group, Aini group lives primarily in and around mountains and canyons at an altitude of twenty-five to eighty hundred feet. They are famous for their production of Pu Er Tea. Dancing and singing are second nature to the Aini people. In this program, while listening to the folk song titled Magical Village by famous Aini singer MI Xian, the audience will enjoy Ainis cultural traditions of tea brewing and folk dancing by girls clapping to the rhythm and wearing spectacular ceremonial costumes.

DVD / 2016 / 7 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: ETHNIC DANCE - DAI

Located in the southwest region of China, Dai people enjoy mild weather and beautiful landscapes of mountains and lakes. While the water splashing and dragon boating events held in their annual spring festival showcase the close ties between their culture and the land, the water running in the rivers and lakes has often been the inspiration for their dance creations. The dance presentation titled Playing with Water allows the audience to experience vicariously the heat of the sunlight and the crystal clear water streaming though the river. This dance captures the unique body movements of Dai Dance that reflects the cordial and gentle nature of this ethnic group.

DVD / 2016 / 12 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: ETHNIC DANCE - HAN

Han is the largest ethnic group in China, whose people inhabit the middle and eastern regions of the country. Hans folk dance tradition started on the streets in the 5th century as ritual events. Nowadays, this tradition named Yangko flourishes everywhere, on the streets, in classrooms and on stages. This program showcases a myriad of Yangko forms, both on and off stage, including Northeastern Yanko, Shandong Yanko and Shanbei Yanko, each has its distinctive features. The stage presentations of the Northeastern Yanko titled Happy Snow choreographed by WANG Xiaoyan and performed by MING Li of Shanghai Theatre Academy and the Shandong Yanko named Blossoms of Mountain Flowers choreographed by CHI Hong and MIAO Xiaolong and performed/produced by the Dance Department of Shanghai Normal University are stunning examples of this dance form.

DVD / 2016 / 8 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: ETHNIC DANCE - INNER MONGOLIAN

In this program, the ethereal voice of Buren Bayaer (a legendary Inner Mongolian Singer), along with the images of yurts and running horses, brings the audience to an otherworldly setting of Inner Mongolia. Inner Mongolians, in general, are known to excel at horse riding. The span of the great plain has cultivated the openness and strength in this ethnic group and nurtured their vigorous, bold and energetic dances. Distinguished Inner Mongolian dancers, Dun E Er and Si Qin Hua, demonstrate traditional Mongolian Horse Dance, Chopstick Dance and Bowl Dance. It features Leaping Horses choreographed by MA Yue of China Central University for Nationalities, a contemporary stage dance presentation inspired by Mongolian horse dance tradition. An interview with MA Yue provides an insight into the conceptual and artistic choices made in the creation of this dance piece.

DVD / 2016 / 10 minutes

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HERITAGE OF CHINESE CULTURE AND DANCE, THE: ETHNIC DANCE - TIBETAN

Living on the Plateau, at an average elevation of over 12 thousand feet above sea level, the Tibetan people are known to be compassionate, bold, candid and devout. Most Tibetans practice Tibetan Buddhism. Just as the distinctive geographical and weather conditions in the region have influenced their dance movements, Tibetans sacred religious beliefs and political climate have also had an impact. This program combines both Tibetan folk dance and stage dance performances of The Song of the Emancipated Serfs choreographed by XU Xiaoping of China Central University for Nationalities and Tibetan Mystery choreographed by YANG Liping (also lead dancer). In addition, Madam Yang provides insight into her artistic and casting choices for Tibetan Mystery.

DVD / 2016 / 10 minutes

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HOWLING INTO HARMONY: CHINESE ROCK CULTURE BORN IN THE WEST

By Joshua Frank

Howling into Harmony offers a portrait of young Chinese rock musicians in Beijing and provides a glimpse into the lives of a generation awakened by Western cultural forces, despite the conservatism of their parents' generation and their government.

Li Yang Yang is an explosive guitarist who views his visceral noise improvisations as authentically Chinese music. Drawing inspiration from Beat writers such as Jack Kerouac and William S. Burroughs, he identifies with the rebellious American youth of the '60s.

He Fan is a Beijinger, born and raised. A rising young rock star and college student, he's known for his raucous live shows and anti-establishment lyrics.

Li Qing is a soft-spoken introvert who creates soundscapes that mirror the capital's incessant clang of construction. Her parents, though supportive, don't know what to make of her experimental music.

Howling Into Harmony provides a look at China's evolving youth culture that is rarely seen by the outside world.

DVD / 2012 / 44 minutes

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MASTER QI AND THE MONKEY KING

Director: Alan Govenar

This film explores the life and work of the preeminent master of Chinese Opera living in the United States. Qi Shu Fang was a household name in China due to her feature role in one of the Cultural Revolution Opera films, and travelled the world to show off her mastery of the art. The film explores why Qi, her husband and a whole troupe of Chinese Opera performers have moved to the United States to transplant their art to a foreign culture.

DVD (Chinese with English subtitles) / 2011 / 81 minutes

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CHILDREN OF THE BEIJING OPERA, THE

A documentary about the daily life for the few hundred students studying for a career there in the art of Chinese opera.

For the first time in its history, The Beijing Opera School, the largest of the 270 Chinese schools for the arts, agreed to open its doors to a film crew.

Structured around a typical day for some of these children and their teachers, we follow them from dawn to dusk in all their activities.

With morning acrobatics, martial arts, acting classes, make-up sessions, academic lessons, rehearsals and performances, we are plunged into the activities of an institution which in many respects has the discipline of a military academy.

Don Kent's spectacular images portray the daily reality of the demanding lessons. It is these very high standards that make Beijing Opera School students attain excellence in their disciplines.

In a country with a population of one billion, 300 million people, competition is fierce and only a handful of the opera school students will become stars. .

DVD / 2007 / 52 minutes

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CHINESE SHADOW FIGURE

In China, shadow-puppets figures are always colorful.

Guan Yu, a third-century warrior, symbolizes fidelity and moral rectitude. He joined the Chinese pantheon when he became the god of war, trade, and secret societies. He is a character typical of the popular theater.

DVD / 2007 / 26 minutes

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TORCH TROUPES (HUO BA JU TUAN)

Directed by XU Xin

In this vivid portrait of China's musical heritage, Sichuan Opera performers strive to keep a centuries-old artform alive.

After thriving for 300 years, Sichuan Opera is an endangered art form. Having survived the Cultural Revolution, state-sponsored opera troupes now face extinction in the era of private enterprise. Opera master Li Baoting began his career at eight, but now performs pop songs with showgirls in cheap bars. His colleague Wang Bin performs in travelling tents, trying to resist the massive cultural changes threatening to wipe out this artform.

In TORCH TROUPES, acclaimed filmmaker Xu Xin (Karamay, Jury Prize, Locarno Film Festival) captures the painstaking preparations of Sichuan Opera performers and bears witness to the difficulties they face: an aging audience, the demolition of traditional teahouse venues, and career pressures to adopt modern dance or karaoke, or abandon the stage altogether. TORCH TROUPES offers an eye-opening overview of popular performance culture in contemporary China, and a poignant reflection of the struggle to preserve a cultural heritage in the face of widespread social transformation.

DVD (Color, Mandarin & Sichuan dialect with English subtitles) / 2006 / 110 minutes

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CENTURY OF LIGHT & SHADOW, A - EPISODE 3: SONG AND DANCE THROUGH THE CENTURY

"A century of Light & Shadow" is an eight one-hour documentary series of 100 years of Hong Kong films.

This episode mainly gives an overview of the various genres of Chinese musicals: Cantonese operas, Putonghua musical and Huangmei diao opera.

DVD / 2005 / 60 minutes

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ELECTRIC SHADOWS

Director: Xiao Jiang

From one of China's newest cinematic voices comes a charming tale set into motion by a disastrous encounter: delivery man Dabing crashes his bike into the mysterious Ling Ling. From her hospital bed, Ling Ling asks Dabing to go to her home and feed her fish; while there, Dabing discovers an astonishing diary. In its pages he reads stories of a little girl's passion for the movies, which re-ignites his own longing for the days when the cinema enchanted China's masses, and audiences breathed and dreamed as one.

DVD (Mandarin with English Subtitles) / 2004 / 95 minutes

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SWING IN BEIJING

Directed by Shui-Bo Wang

A comprehensive survey of creative life in contemporary Beijing, SWING IN BEIJING captures a remarkable impression of the current state of fine and performing arts in this rapidly changing city. Academy Award nominee Shui-Bo Wang has incorporated interviews with artists, filmmakers, and musicians, along with clips of films, plays and music videos, paintings and other artwork in galleries and studios, and revealing footage of a city in transition.

Although government censorship has been a threat to artists in China for years, many of the artists cite the lack of venues and financial support as the new censorship. Gao Xing, aged 26, is the lead singer of the punk group Underbaby. Gao and his friends say it isn't the government but music producers and MTV-China that demand less controversial lyrics. For painter Wei Dong censorship is a danger that lies within. During the Cultural Revolution his parents were persecuted, and Wei knows his memories must influence him in some way, though he tries to resist the impulse to tone down his work.

The painful transformation of Beijing is a subject many of the artists confront. In response to the destruction of the old quarter, Wei Dong explores artistic methods that embrace modernization but preserve Chinese culture. Filmmaker Jia Khang Ke explores the loss of traditional values and culture as well. Using his small, hometown Penang as the setting, his most recent film is a meditation on the dissolution of the traditional family in China. Zhan Wang is also troubled by the demolition of the old District. In his state-owned studio he creates work that asks, "Where do we come from?" Freed from financial constraints by his work as a commercial artist, Zhan creates conceptual art by photographing the demolished old district, then photographing the same area after his 'renovations.' His work is completed as the new structures go up over the old.

All of these artists, and many others interviewed in SWING IN BEJING, debate the value of Western recognition. While selection for a Western show like the Venice Bi-annual guarantees international fame, the selected pieces are often shown out of context, diluting their power. Western curators, says Wu Mei Chun, tend to pick pieces that shock the Western sensibility, not the best piece. A graduate of the China Institute of Fine Arts she decided to stop practicing art in order to curate. Now 31, she puts on controversial group shows in non-official settings.

Finally, SWING IN BEIJING takes us to the Central Experimental Playhouse for a production of Dario Fo's Death of an Anarchist. Director Men Jeng Hui was a student activist during the Tiananmen uprising, and says the events of 1989 are his formative experiences. Citing Stanislavsky's student Meyerhold as his inspiration, he insists that theater always needs revolution. By raising funds from friends and private corporations (the government has cut funding to the theater), Men Jeng was able to put on a production that is openly challenging to authority. It exemplifies the current state of censorship in Beijing: the government won't stop you from making something, but it won't provide the crucial venue and funding that is necessary to reach the public.

Shui-Bo Wang, whose critically acclaimed film SUNRISE OVER TIANANMEN SQUARE was nominated for an Academy Award, has returned to the cradle of his artistic development, creating an informative and surprising film about the challenges and rewards of the life of an artist in present-day Beijing.

DVD (Color) / 2000 / 73 minutes

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KING OF MASKS, THE

Director: Tian-Ming Wu

In 1930s China, aging street performer Wang (Zhu Xu) yearns for a male heir to whom he can pass on the secrets of his renowned act. Though he refuses an offer to join the opera, he heeds the advice of female-impersonating opera star Liang (Zhang Zhigang) to find an heir. Wang soon buys an 8-year-old orphan named Doggie (Zhou Renying). When his new heir reveals a desperate secret, Wang must choose between following the strictures of society and the fatherly love he feels for his new protege.

DVD (Mandarin with English Subtitles) / 1999 / 101 minutes

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MONKEY KING LOOKS WEST

Directed by Christine Choy

This colorful production contrasts the rich heritage of Chinese opera with the day-to-day realities of its emigreperformers in New York's Chinatown. It depicts the efforts of three classically-trained opera artists to keep alive their revered art form for the generation of young Chinese-Americans who would otherwise not be exposed to their tradition.

In the time-worn pattern of immigrant life, they spend their days grinding out a living. In their spare time each performs and teaches Chinese opera. Scenes from the classic work Monkey King Looks West stand as a metaphor for cultural survival.

DVD / 1992 / 42 minutes

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CHINESE OPERA

"Chinese Opera" opens in the make-up room of the People's Theatre in Canton, where the cast is preparing for a 300-year-old Cantonese opera called Nliu Yi Chuan Su, a romance, and then moves on to an acrobatic training school for future opera stars. The DVD concludes with a performance by the Northern Opera Group in Beijing. The viewer is given an in-depth, first-hand experience of this fascinating ancient art form.

DVD (With English narration) / 1983 / 28 minutes

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