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Media Studies

FATTITUDE

By Lindsey Averill, Viridiana Lieberman

An eye-opening look at how popular media perpetuates fat hatred that results in cultural bias and discrimination.

FATTITUDE is an eye-opening look at how popular media perpetuates fat hatred that results in a cultural bias and a civil rights issue for people living in fat bodies.

Fat people are paid $1.25 less an hour than their thin counterparts and can still legally lose jobs just because they're fat. Additionally, 1 in 3 doctors associates fat bodies with hostility, dishonesty and poor hygiene. FATTITUDE looks at how this systemic cultural prejudice results in fat discrimination. Informed by a post-modern, post-colonial, feminist perspective, FATTITUDE also examines how fat-shaming crosses the lines of race, class, sexuality and gender. It features a diverse variety of voices such as academic scholars, activists, filmmakers, actors and psychologists, including Lindy West, Sonya Renee Taylor, Virgie Tovar, Ricki Lake, and more.

A body positive documentary intent on inspiring change, FATTITUDE offers alternative ideas that embrace body acceptance at all sizes, explores examples of fat positive representations being produced today by activists and the media, and focuses on real life solutions for moving forward and changing the national conversation about body image.

DVD (Color, Closed Captioned) / 2019 / 88 minutes

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TVTV: VIDEO REVOLUTIONARIES

Director: Paul Goldsmith

Featuring Bill Murray, Hunter Thompson, Steven Spielberg, Lynn Swan, Goldie Hawn, Abbie Hoffman, Lily Tomlin and more, "TVTV: Video Revolutionaries" is a documentary about Top Value Television (TVTV), a band of merry video makers who, from 1972 to 1977, took the then brand-new portable video camera and went out to document the world. In those days, there were only three TV networks, using giant studio cameras, and no one had ever seen a portable camera stuck in their face, let alone one held by what Newsweek called "braless, blue-jeaned video freaks." Because the technology was so new, there were no rules about how to use it or what to make. So the "freaks" used it to make format-bending satirical shows about whatever interested them - from the 1972 Republican Convention to an award-winning expose of a 15-year-old jet-set guru named Guru Maharaj Ji, called "Lord of the Universe" to capturing the Steelers and Cowboys partying hard the night before Super Bowl X.

Directed by TVTV alum Paul Goldsmith, the film is like opening a treasure chest into the 1970s, filled with cultural and political events hosted by now-famous characters who were then just beginning their climb to iconic.

DVD / 2018 / 82 minutes

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ACORN AND THE FIRESTORM

Director: Reuben Atlas, Sam Pollard

If you were impoverished and politically voiceless, ACORN hoped to change your mind. For 40 years, the community-organizing group sought to empower marginalized communities. Its critics, though, believed ACORN exemplified everything wrong with liberal ideals.

Fueled by a YouTube video made by two young conservatives who posed as pimp and prostitute in a sting, ACORN's very existence would be challenged. ACORN and the Firestorm goes beyond the 24-hour news cycle and cuts to the heart of the great political divide.

DVD / 2017 / 84 minutes

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GRAY STATE, A

Director: Erik Nelson

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film's crowd-funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right.

In January 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause celebre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

A Gray State combs through Crowley's archive of 13,000 photographs, hundreds of hours of home video, and exhaustive behind-the-scenes footage of Crowley's work in progress to reveal what happens when a paranoid view of the government turns inward - blurring the lines of what is real and what people want to believe.

DVD / 2017 / 93 minutes

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OBIT.

Directed by Vanessa Gould

At a time when the free press is under threat, OBIT. takes a rare look inside one of the United States' foremost journalistic institutions, The New York Times. The steadfast writers of the paper's Obituaries section approach their work with journalistic rigor and narrative flair, each day depositing the details of a handful of extraordinary lives into the cultural memory. Going beyond the byline and into the minds of those chronicling the recently deceased, OBIT. is ultimately a celebration of life that conveys the central role journalism plays in capturing and reporting vital pieces of our history.

DVD (Region 1, Color, Closed Captioned) / 2017 / 95 minutes

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TRUMP: THE ART OF THE INSULT

By Joel Gilbert

Donald Trump used his special brand of the Art of the Insult to attack opponents and bash the media all the way to the White House in 2016. He continues to master the art with ongoing fine-tuning from the podium, his office and of course on Twitter.

While critics insisted "The Donald" was merely a chaotic sideshow, Trump continues to dominate the 24-hour news cycle with a master plan of political incorrectness. Hurling insults like Low-Energy Jeb, Lyin' Ted, Crooked Hillary, Little Marco, Pocahontas, and Fake News, Trump has emerged as an unstoppable political phenomenon who has transformed the Presidential voice into the greatest show on earth.

Trump: The Art of the Insult tells the story of Donald Trump's improbable journey from Trump Tower to rallies across America to the debate stage, where he reveled in mocking and taunting rivals with targeted insults and nicknames, leaving them gasping for air. As President of the US, he continues the trend.

In Trump: The Art of the Insult, the President is often sophomoric and sometimes brutal, yet America seems to always find him entertaining. Love or hate Donald Trump, you'll find yourself laughing along with the leader of the free world, and marveling at Trump.

Is "the Real Donald Trump" a marketing genius and accomplished performance artist or....?

DVD / 2017 / 95 minutes

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ALL GOVERNMENTS LIE: TRUTH, DECEPTION, AND THE SPIRIT OF I.F. STONE

Director: Fred Peabody

Independent journalists like Amy Goodman, Glenn Greenwald, Jeremy Scahill, and Matt Taibbi are changing the face of journalism, providing investigative, adversarial alternatives to mainstream, corporate news outlets. Our cameras follow as they expose government and corporate deception - just as the ground-breaking independent journalist I.F. Stone did decades ago.

DVD / 2016 / 91 minutes

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DEMOCRACY ROAD

By Turid Rogne

After more than 20 years in exile in Norway, the Burmese journalists of DVB are returning to their homeland to establish their independent news station there. Editor-in-chief Aye Chan Naing and reporter Than Win Htut have dreamt about this for years, but their struggle for freedom and democracy is not over yet.

DEMOCRACY ROAD is a road movie documentary following the journalists of DVB in Myanmar in a critical phase of the establishment of the newborn democracy. With their existence as an independent news channel and Myanmar's future as a democracy at stake, senior reporter Than Win Htut and his colleagues hit the road with their groundbreaking show "Our Nation, Our Land." Their goal is to investigate the living conditions of ordinary people off the beaten path in Myanmar, but the machinery of the old dictatorship is still running. Simultaneously, editor-in-chief, Aye Chan Naing, has to negotiate with DVB's former enemies in the infamous Ministry of Information. The road towards democracy has only just begun...

Director Turid Rogne has followed the journalists of DVB for more than 10 years. With both boldness and sensitivity, she tells the story of life in a former dictatorship through the people who try to influence history.

DVD (Color) / 2016 / 60 minutes

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KINGS OF THE PAGES: THE GOLDEN AGE OF COMIC STRIPS

Directed by Robert Lemieux

At the turn of the 20th century, two of the most powerful men in America were newspaper magnates William Randolph Hearst and Joseph Pulitzer. Noted mostly for their contentious rivalry and sensationalist news coverage, they were also responsible for cultivating some of the era's most recognizable celebrities-Nemo, Krazy, Happy Hooligan, George McManus, Ignatz, Mutt, Buster Brown, Hans and Fritz, and Offissa Pup, to name a few.

In their ongoing battle to attract newspaper readers, both Hearst and Pulitzer had discovered that comic strips were a strategic addition. Often raiding each other's staffs to acquire the best talent, both men recognized the potential. It wasn't until Hearst unveiled the first full color, 8-page comic supplement in 1896, that the potential was fully realized, prompting Hearst's now famous quote motto... "Eight Pages of Iridescent Polychromous Effulgence That Makes The Rainbow Look Like A Lead Pipe!"

Over the next fifty years, that polychromatic effulgence would usher in the Golden Age of the American comic strip. During that time span, more than 150 different strips made their way into America's living rooms. Every week the characters and their creators provided humorous entertainment and tickled many a funny bone. Reading the comics became a cultural phenomenon.

Only available in North America.

DVD / 2016 / 24 minutes

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WHAT HAPPENED TO HER

By Kristy Guevara-Flanagan

WHAT HAPPENED TO HER is a forensic exploration of our cultural obsession with images of the dead woman on screen. Interspersing found footage from films and police procedural television shows and one actor's experience of playing the part of a corpse, the film offers a meditative critique on the trope of the dead female body.

The visual narrative of the genre, one reinforced through its intense and pervasive repetition, is revealed as a highly structured pageant. The experience of physical invasion and exploitation voiced by the actor pierce the fabric of the screened fantasy. The result is recurring and magnetic film cliche laid bare. Essential viewing for Pop Culture, Women's and Cinema Studies classes.

DVD (Color) / 2016 / 15 minutes

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1971

Director: Johanna Hamilton

On March 8, 1971, a group of citizens broke into an FBI office in Media, PA, took every file, and shared them with the public. Their actions exposed the FBI's illegal surveillance program of law-abiding Americans. Now, these previously anonymous Americans publicly share their story for the first time.

The FBI, established in 1908, was for 60 years held unaccountable and untouchable until 1971, when The Citizens' Commission to Investigate the FBI, as they called themselves, sent the stolen files to journalists at the Washington Post, which published them and shed light on the FBI's widespread abuse of power. These actions exposed COINTELPRO, the FBI's illegal surveillance program that involved the intimidation of law-abiding Americans, and helped lead to the country's first congressional investigation of U.S. intelligence agencies.

The activist-burglars then disappeared into anonymity for forty years. Until now. Never caught, these previously anonymous Americans parents, teachers and citizens publicly reveal themselves for the first time and share their story in the documentary 1971. Using a mix of dramatic re-enactments and candid interviews with all involved, the film vividly brings to life one of the more important, yet relatively unexplored, chapters in modern American history.

DVD / 2015 / 79 minutes

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BAPTISM OF FIRE, A

By Jerome Clement-Wilz

"As it gets harder to sell pictures, we take greater and greater risks," explains Corentin Fohlen. A war correspondent still in his twenties, Fohlen is part of a new generation of freelance journalists who fly to war zones from Libya to Afghanistan on their own dime in the hope of selling images to news media outlets.

But the carefree attitude of youth can change when confronted with the harsh reality of life in wartime. When a colleague is killed in Syria, Fohlen's thirst for adventure turns into a deeper reflection on the meaning of work and life. Director Clement-Wilz followed Fohlen through shells and bullets for four years in order to create this riveting portrait of the life of a contemporary war correspondent.

DVD (Color, Closed Captioned) / 2015 / 52 minutes

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DREAMS REWIRED

Narrated by Tilda Swinton
By Manu Luksch, Martin Reinhart & Thomas Tode

Tilda Swinton's hypnotic voiceover and a treasure trove of rare archival footage culled from hundreds of films from the 1880s through the 1930s—much of it previously unseen—combine to trace the anxieties of today's hyper-connected world back a hundred years. Then, too, electric media sparked idealism in the public imagination—hailed as the beginning of an era of total communication, annihilation of distance and the end of war. But then, too, fears over the erosion of privacy, security, morality proved to be well-founded.

DREAMS REWIRED traces contemporary appetites and anxieties back to the birth of the telephone, television and cinema. At the time, early electric media were as revolutionary as social media are now. The technologies were expected to serve everyone, not just the elite classes. Human relationships would become stronger, efficiency would increase and the society would be revolutionized... But these initial promises were very different from what new media eventually brought to daily life.

Using excerpts from early dramatic films, slapstick comedies, political newsreels, advertisements and recordings of scientific experiments culled during years of research in film archives around the world, co-directors Manu Luksch, Martin Reinhart and Thomas Tode unearth material that is by turns hilarious, revelatory, beautiful and prescient. The archival footage, combined with poetic narration and a virtuosic score by Siegfried Friedrich forges a cross-generational connection between contemporary viewers and their idealistic forbearers of a century ago.

DVD (Color, Closed Captioned) / 2015 / 85 minutes

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HOT TYPE: 150 YEARS OF THE NATION

Director: Barbara Kopple

Hot Type: 150 Years of The Nation is a vivid, inside look at America's oldest continuously published weekly magazine. Shot over three years in intimate, cinema verite style, the film captures the day-to-day pressures and challenges of publishing the progressive magazine as it follows reporters out into the field, the editors who shape their work, and the editor-in chief who tries to keep all of the plates spinning.

Writers are the heart and soul of the magazine, and the film follows them extensively. Sasha Abramsky travels to West Texas to report on the years-long drought that has gripped the region and the devastating economic impact on farmers and residents. John Nichols unpacks what's going on behind the effort to recall Wisconsin governor Scott Walker. Amy Wilentz visits the "temporary" tent camps of Haiti, three years after the earthquake, to shed light on the dire conditions and lackluster international response. And Dani McClain reports on the Moral Monday movement in North Carolina, and its dynamic leader Rev. William Barber, as they push back against an extreme right-wing takeover of the state legislature.

In all of the current-day reported stories, The Nation's incredible trove of archival articles - and roster of writers - acts as an historical touchstone and illuminates how the past continuously ripples through and shapes current events.

At a fascinating moment in American history - politically, socially and culturally - the media landscape is changing at breathtaking speed. The film charts the journey of The Nation - and the nation - evolving into the future, as it is guided by its remarkable past.

DVD / 2015 / 92 minutes

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HOW TO CHANGE THE WORLD

Director: Jerry Rothwell

How to Change the World chronicles the adventures of an eclectic group of young pioneers - Canadian hippie journalists, photographers, musicians, scientists, and American draft dodgers - who set out to stop Richard Nixon's atomic bomb tests in Amchitka, Alaska, and end up creating the worldwide green movement.

Greenpeace was founded on tight knit, passionate friendships forged in Vancouver in the early 1970s. Together they pioneered a template for environmental activism which mixed daring iconic feats and worldwide media: placing small rubber inflatables between harpooners and whales, blocking ice-breaking sealing ships with their bodies, spraying the pelts of baby seals with dye to make them valueless in the fur market. The group had a prescient understanding of the power of media, knowing that the advent of global mass communications meant that the image had become a more effective tool for change than the strike or the demonstration.

DVD (Region 1, Color) / 2015 / 109 minutes

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SEX, LIES AND TABLOIDS!

By Jean-Baptiste Peretie

They're lurid, obnoxious, disdainful and explicit. And we love them - and love to hate them.

SEX, LIES AND TABLOIDS! charts the rise and fall of tabloid papers in the UK and US, including the New York Post, The Sun, and notorious supermarket tabloids like the National Enquirer and The Star.

In the beginning, they were upstarts. Papers that shamelessly pandered with stories about sex scandals, and celebrities - often skirting ethical lines, and sometimes outright making things up ("Run it through the typewriter again," was one editor's mantra.) But by the 1980s and '90s they had become the media heavyweights. Left behind by the tabloids' coverage of Bill Clinton's sex life, Princess Diana and the OJ Simpson trial, the mainstream media started to adopt their techniques.

SEX, LIES AND TABLOIDS! Features extensive interviews with key tabloid players such as notorious editor Kelvin MacKenzie ("If you have no news... you get a picture of Diana and make it as big as possible"), journalist Paul McMullan ("People need to understand that privacy is an evil, bad concept"), and the late Vincent Musetto (famed for the headline "Headless body in topless bar"). The film provides an insider's account of the no-holds-barred mentality driving tabloid journalism while also using fun and campy footage mimicking the style of the tabloids themselves.

Eventually, the tabs would go too far. Briefly chastened by the death of Diana and shunned after the British phone hacking scandal, the papers would go into a downward spiral, with The News of the World even shutting down. But culture they spawned is stronger than ever. Sites like TMZ and The Smoking Gun and an omni-present gotcha culture have brought the spirit of the tabloids to the Internet. At the same time, the ubiquity of sharing means photos that would once have been prized by paparazzi (hello Kim Kardashian in a bikini) are posted by celebrities and would-be-celebs themselves. The tabloids may be gone, but the tabloid spirit is everywhere.

DVD (Closed Captioned) / 2015 / 52 minutes

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WORLD ACCORDING TO RUSSIA TODAY, THE

By Misja Pekel

In 2014, Malaysian Airlines passenger flight 17 was shot down with a rocket intended for the private plane of Russian president Vladimir Putin... If, that is, a viewer is relying on the satellite TV network Russia Today as their source for news.

These claims were not the first time Russia Today drew attention for counter-factual reporting: during the 2008 war in Georgia, the network reported that South Ossetians were the victims of genocide at the hands of Georgians. In 2014, the channel was warned by the British TV agency for its biased and inaccurate reporting on the uprising on Maidan Square in Kiev. The list goes on and on.

Russia Today (now renamed just RT) was launched in 2005 to bring a Russian-centric perspective on current political events to a global audience. After a decade of generous Kremlin funding, 2015 found the 24-hour news channel the biggest media organization on YouTube with 2 billion viewers: more than CNN and the BBC combined.

The network claims only to offer an alternative perspective to the monolithic view presented by mainstream Western media. But what kind of "reporting" is Russia Today actually doing? What is it like to work for the channel? How much influence does the Kremlin really have there? Is it possible to differentiate between fact and opinion on a Russian channel when the Russian interests are at stake?

In Misja Pekel's disturbing documentary THE WORLD ACCORDING TO RUSSIA TODAY, former and current news anchors, editors and correspondents for the network-including William Dunbar, Sara Firth, Marc de Jersey, Afshin Rattansi and Liz Wahl-join journalists and media professionals Alexander Nekrassov, Peter Pomerantsev, Richard Sambrook, Daniel Sandford, Derk Sauer and more in a detailed dissection of the channel's modus operandi and the challenges and dangers of reporting and consuming news in a globalized world.

DVD (Color, Closed Captioned) / 2015 / 40 minutes

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INVESTIGATIVE REPORTING IN THE DIGITAL ERA

In the new world of tweets, blogs, and citizen journalism, what is the outlook for true investigative reporting? This program highlights the ways investigative journalism is changing, particularly in the context of digital and online media. Social media and globalization have changed the ways reporters connect with their readers. What are the advantages and disadvantages of nearly instantaneous access to news as it unfolds? A panel of heavy hitters from the world of journalism weighs in on these and other issues, such as emerging financial models for (costly) investigative reporting as traditional news budgets shrink. Young reporters entering the field will be particularly encouraged by many of the exciting technologies and resources available for developing stories that are more in-depth, media-rich, and engaging. Investigative journalism is a fast-evolving field, and this program helps entry-level reporters as well as veterans to bear witness more effectively in the Internet era.

DVD / 2014 / 17 minutes

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ADJUST YOUR TRACKING: THE UNTOLD STORY OF THE VHS COLLECTOR

It revolutionized the film business. The birth and life of VHS as a format brought films into the homes of millions around the world. And, it brought genre films to the forefront. Now, if you think VHS is dead, you're wrong!

Over 100 collectors, filmmakers, producers, and video store owners express how VHS changed their lives. Some see VHS as worthless plastic, but Adjust Your Tracking shows a vibrant world of collectors and movie fans who are keeping the format, and the movies, alive. Travel back to the days of video rental stores with those who still buy, sell, rent and trade the format that will not die-VHS.

DVD / 2013 / 84 minutes

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CAPTIVATED: FINDING FREEDOM IN A MEDIA CAPTIVE CULTURE

This feature-length documentary is not anti-media or anti-technology, but it raises critical concerns about our culture's seemingly unchecked enthusiasm for media consumption. It highlights the overwhelming evidence of growing problems on multiple fronts, including the potential physical, psychological, moral, and spiritual impacts of media technology when used or consumed without discretion.

Features outstanding interviews with Ray Comfort, Bob Waliszewsi, Dr. Ted Baehr, Dr. Jeff Myers, Kerby Anderson, Kevin Swanson, Dr. David Walsh, Al Menconi, Dr. Dimitri Christakis, Dick Rolfe, Phil Chalmers, Professor Mark Bauerlein, Maggie Jackson, and more. .

DVD / 2013 / 107 minutes

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INREALLIFE

Director: Beeban Kidron InRealLife asks what exactly is the internet and what is it doing to our children? Taking us on a journey from the bedrooms of teenagers to Silicon Valley, filmmaker Beeban Kidron suggests that rather than the promise of free and open connectivity, young people are increasingly ensnared in a commercial world. Beguiling and glittering on the outside, it can be alienating and addictive. Quietly building its case, Kidron's film asks if we can afford to stand by while our children, trapped in their 24/7 connectivity, are being outsourced to the net?

While newspapers alternately praise and panic about the glittering world of the Internet, there is a generation of children who have grown up with a smart phone in their hand, connected to the world 24 hours a day, seven days a week.

Public discourse seems to revolve around privacy, an issue that embodies the fears and concerns of adults. What is less discussed is what it really means to always be online, never alone and increasingly bombarded by a world that has something to sell you and appears to know you better than yourself. A world that is so ubiquitous that it is the first thing you see as you wake up in the morning and the last thing you see before you go to sleep at night.

For adults there was a 'before' the net. But for the current generation, at the time of their most rapid development they have no other experience and few tools with which to negotiate the overwhelming parade of opportunity and cost that the internet delivers directly into their hands.

From the bedrooms of five disparate teenagers and then into the companies that profit from the internet, InRealLifetakes a closer look at some of the behavioral outcomes that come from living in a commercially driven, 'interruption' culture.

Following the physical journey of the internet, from fiber optic cables through sewers and under oceans, from London to NYC and finally to Silicon Valley, the film reveals that what is often thought of as an 'open, democratic and free' world is in fact dominated by a small group of powerful players. Meanwhile our kids - merely pawns in the game - are adapting to this new world - along with their expectation of friendship, their cognition and their sexuality.

DVD / 2013 / 90 minutes

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SMILING THROUGH THE APOCALYPSE

Director: Tom Hayes

Esquire magazine was a galvanizing force in American culture from the early 1960s through the early '70s. Forging its pop-cultural capital on the basis of provocative cover art, intellectual audacity and riveting articles by the preeminent and cutting edge writers of the time, the magazine captured the zeitgeist of America in the crucible of the '60s.

The chief architect of this print revolution was Harold Hayes, a brilliant and tenacious editor who granted Esquire's contributors unprecedented journalistic freedom. Hayes' fearless instincts provided a haven for writers like Gore Vidal, Tom Wolfe, Gay Talese, Nora Ephron, William F. Buckley and Norman Mailer, and nurtured the iconoclastic talents of art director George Lois. By making it possible for writers and artists to bring novelistic techniques into reportage Hayes fostered what became known as "New Journalism".

The indelible cultural contributions captured in this enthralling documentary by his son, Tom Hayes, provide a vivid context for nothing less than the rebirth of American aesthetics. Featuring interviews with Robert Benton, Candice Bergen, Peter Bogdanovich, Brock Brower, Graydon Carter, Lee Eisenberg, Harlan Ellison, Nora Ephron, Robert Frank, Hugh Hefner, Tom Meehan, Frank Rich, Bob Rifkind, Gay Talese, Gore Vidal, Ed Wilson, Tom Wolfe and many others.

DVD / 2013 / 99 minutes

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BATTLE FOR THE ARAB VIEWER, THE

By Nordin Lasfar

In early 2011, people around the world tuned into Al Jazeera to watch the Egyptian revolution in real time. Meanwhile, rival broadcaster Al Arabiya was also offering near continuous coverage, with cameras on a balcony overlooking the 6th October Bridge, where protesters and police clashed.

How was the content of those broadcasts - and the networks' subsequent coverage - influenced by their political allegiances?

Featuring interviews with current and former journalists from both networks, and analysis from independent pundits, The Battle for the Arab Viewer highlights the philosophical differences between the two pan-Arab networks.

Al Jazeera was created by the Emir of Qatar after he deposed his father in a coup. The station typically champions the poor and social movements - such as the Muslim Brotherhood - that are hostile to the Saudi regime. The station has grown highly influential. In the film, a passerby stops Al Jazeera's chief Cairo correspondent on the street to thank him and the government of Qatar for supporting the anti-Mubarak forces, saying the network is "90%" responsible for the revolution.

With Al Jazeera supporting elements hostile to Saudi Arabia, the Saudis set up their own network as a counterpoint: the more conservative Al Arabiya, owned by a close friend of the royal family.

While The Battle for the Arab Viewer offers insight and analysis, it also shows how the battle between the two networks plays out on the ground in Cairo. We go behind the scenes with Al Arabiya journalist Randa Abul Azm and Al Jazeera's Abdelfattah Fayed as they follow stories, break news, and cover events such as Hosni Mubarak's trial. (Azm is allowed into the courtroom, but Fayed is not.)

Azm and Fayed each mirror their networks' respective demographics. Al Arabiya appeals to well-off, middle-class viewers who value security and stability. Enter Amz, who lives in a building built by her engineer father, on a street named for her grandfather. Fayed, representing the network that purports to stand for the downtrodden, shows us a photo of his father, who worked in agriculture.

Both deny that their work is influenced by the political agendas of their networks' owners. But former employees of both networks tell a different story. Particularly striking is the case of Hafez al Mirazi, who was taken off Al Arabiya's airwaves after promising to put Saudi Arabia under the microscope on his show.

Media bias is nothing new - as Mirazi says, viewers of Fox News and MSNBC each know what they are going to get. What is different in the Arab world is that the networks are directly owned by states. He says, "They keep shifting according to the countries they are sponsored by, and that affects the stories their citizens get on a daily basis."

Ultimately, the problem may resolve itself. As democracy spreads through the region, will truly independent media follow?

DVD (Color) / 2011 / 48 minutes

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WAR PHOTOGRAPHER

Director: Christian Frei

"If your pictures aren't good enough, you're not close enough." - Robert Capa

War photographer James Nachtwey has been close enough for twenty years. Over this time he hasn't missed a single war. And he probably has seen more suffering and dying than anyone else alive. For War Photographer, which was nominated for the Academy Award for Best Documentary Feature, Christian Frei followed Nachtwey for two years into the wars in Indonesia, Kosovo, and Palestine, as well as to other troubled areas around the world.

If we believe Hollywood pictures, war photographers are all hard-boiled and cynical old troopers. How can they think about 'exposure time' at the very moment of dread? But James Nachtwey is no rumbling swaggerer. He is an unobtrusive man, with grey hair and the deliberation of a professor of philosophy. A thoughtful, rather shy person - who many think of as the bravest and best war photographer ever.

Christiane Amanpour of CNN, Hans-Hermann Klare of Stern Magazine and many other friends and colleagues of Nachtwey talk about his photos, his relationship to his work, and the impact it has on his personal life. And many of his most powerful images are shown in the film.

Finally, and most amazingly, in War Photographer special video micro-cameras are attached to Nachtwey's still camera. We hear every breath of the photographer. We participate in the act of shooting war photos. And for the first time in the history of movies about photographers, this technique allows us the most intimate insight into the work of a concerned photojournalist.

DVD (English and German) / 2001 / 96 minutes

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